Sunday, February 20, 2011

The Heidelberg Project: Art as Inspiration and Regeneration

The last time we spent any time in Detroit was during the summer of 2004. We had flown out a month or so earlier and were back to decide if we really wanted to move here. As my husband was in meetings and negotiating for a job he eventually decided not to take, I spent my time driving and wandering around the city.

Downtown Detroit, MI
July 2004

I was used to a level of urban grittiness, as we were living in a loft in Gastown adjacent to Vancouver's notorious Downtown Eastside. However, I was surprised to find that Downtown Detroit was a virtual urban ghost town. At mid-day there was hardly a person or car on the road. The once magnificent architectural gems were mostly boarded up or occasionally claimed by what appeared to be non-conforming live / work artist space.

Downtown Detroit, MI
July 2004

While I found the stock of art deco skyscrapers impressive, for some reason I was most drawn to the burnt out and crumbling Queen Ann red brick mansions in Midtown close to the Wayne State University Campus. Block after block of these stately old homes stood waiting.....

Abandoned Building
Midtown Detroit, MI
July 2004

Waiting for what I was not sure. There was absolutely no sign of activity. They were not being redeveloped, or torn down and they appeared to be beyond habitable for squatters. Attempts of structural support were decaying and barricade fences were falling or had been pulled down. I took dozens and dozens of photos as I drove around what once was a thriving neighbourhood.

Abandoned Building
Midtown Detroit, MI
July 2004

I discovered the stunning red sandstone First Presbyterian Church on Woodward Ave. Built in 1889 it now houses the Ecumenical Theological Seminary. I remember speaking with the caretaker who came out to chat as I took photos. When I asked him about the neighbhourhood and why these once beautiful homes were just left abandoned. He asked me where I was from, figuring that I was obviously not from around here. He sighed, continuing that he wished that more people would come down and take an interest in the area but sounded hopeful that Wayne State University was starting to redevelop and restore the area.

First Presbyterian Church
Woodward Ave
Midtown Detroit, MI
July 2004

While the area around Eastern Market was busy and showed signs of redevelopment, many of the other areas adjacent to downtown Detroit were abandoned or near abandoned. Having lived in the United States for over twelve years we had visited a number of major and mid-sized American cities, however it was here in Detroit that the notion of "white-flight" was immediately apparent.

Butcher's Inn
Eastern Market
Detroit, MI
July 2004

As I drove through the neighbourhoods surrounding downtown I was saddened by the crumbling ruins that were everywhere. I wondered how do we get to the point where we just let our cities crumble apart? What about our history, our heritage? How can we just turn our backs on these buildings and homes that contained remnants of lives, stories and histories?

Abandoned Building
Detroit, MI
July 2004

We did not end up moving to Detroit, and instead relocated to Toronto. There is a part of me that has always regretted this. I feel that Detroit is a city that needs people. It just seems to be the kind of place where you can make a difference, where your efforts just may get noticed. Even then amongst the ruins I felt a sense of creative energy simmering somewhere. I knew it existed in institutions such as the Detroit Institute of Arts, Cranbrook Academy of Arts, the Museum of Contemporary Art Detroit, the Charles H. Wright Museum of African American History and the still vibrant music scene, however, I had not yet discovered the numerous other projects and initiatives both big and small that were happening in and around Detroit.

The Heidelberg Project
Detroit, MI
December 2010

I first read about The Heidelberg Project in Metropolis Magazine shortly after moving to Toronto. And then kept noticing articles or mentions of the project in Metropolis, The Globe & Mail, The National Post and popping up various places on the web. However, we have not made it back to Detroit until Christmas morning when we were driving back home from a brief vacation / research trip to New Orleans.

Dotty Wotty House
The Heidelberg Project
Detroit, MI
December 2010

The Heidelberg Project was started in 1986 by artist Tyree Guyton. Guyton grew up on Heidelberg Street when it was a diverse working class neighbourhood, however when he returned in 1986 he discovered a neighbourhood that was virtually abandoned and whose spirit had been broken by racism, drugs, violence, dispair and poverty. Angered by the loss of three brothers to the streets, Guyton was encouraged by his grandfather Sam Mackey to pick up a paintbrush instead of a weapon and look for a new solution.

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Guyton with the help of his grandfather, friends and neighbourhood children began to clean up the vacant lots on Heidelberg Street. Using a paintbrush and broom together with the refuse they collected they transfigured the street into a massive art installation integrating the street, sidewalk, trees, homes and lots. As stated on The Heidelberg Project website: "vacant lots became lots of art and abandoned houses became gigantic art sculptures."

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Two years later, in 1988, supporters helped organize Guyton's effort and The Heidelberg Project was officially incorporated as a community based non-profit organization. The mission of the organization is "to inspire people to appreciate and use artistic expression to enrich and improve their lives, and to improve the social and economic health of the greater community. We envision residents using art to rebuild the structure and fabric of under-resourced communities and creating a way of living that is economically viable, enriches lives, and welcomes all people."

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Public art projects are often the subject of controversy and The Heidelberg Project has been no exception. The project was demolished twice first in 1991 and again in 1999. However, walking along Heidelberg Street in late 2o10, this project is not only a creative response to ongoing blight and decay, but also a testament to perseverance and in taking a stand for positive change and belief in your community.

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Tyree Guyton is quoted as saying, "We are all the faces of God. He said he made us in his image and his likeness .... and that says to me that God has a lot of faces." Guyton's The Faces of God, or Faces in the Hood line the streets and fill the empty lots along Heidelberg Street. They are a poignant reminder that communities are made up of individuals who bring their different backgrounds, ideas and perspectives together contributing to the greater good.

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

There was something uplifting about seeing all these giant smiling faces painted on car hoods and large pieces of wood. Even though the street was quiet on this snowy Christmas morning they made it feel alive.

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

Faces of God / Faces in the Hood
The Heidelberg Project
Detroit, MI
December 2010

There were a number of themes that ran through The Heidelberg Project: shoes, taxis, stuffed animals, polka dots, numbers, giant faces. The Faces of God / Faces in the Hood series were like the individuals that held this community together, however, shoe imagery also appeared prominently.

Shoes
The Heidelberg Project
Detroit, MI
December 2010

Shoes
The Heidelberg Project
Detroit, MI
December 2010

Shoes
The Heidelberg Project
Detroit, MI
December 2010

The Number House is designed to draw our attention to the powerful place that numbers play in our lives. While there is a playful quality to Guyton's work, there are strong social and political undertones running throughout this project. The Number House speaks to Guyton's frustration regarding the government's inability to take care of people and to heal the deep scars that run through Detroit following the 1967 riots.

The Numbers House
The Heidelberg Project
Detroit, MI
December 2010

The Numbers House
The Heidelberg Project
Detroit, MI
December 2010

Artist Tim Burke created the Detroit Industrial Gallery on Heidelberg Street as a result of being inspired by the work of Tyree Guyton. Like Guyton, there is a social and political commentary thread running through this work together with an obvious love of objects, history and recycling stuff. Both Guyton and Burke have thriving art careers exhibiting in museums and galleries while continuing their commitment to The Heidelberg Project.

Tim Burke's Detroit Industrial Gallery
The Heidelberg Project
Detroit, MI
December 2010

Tim Burke's Detroit Industrial Gallery
The Heidelberg Project
Detroit, MI
December 2010

I have to admit that I loved "I am controlled by what I try to control." This seemed to perfectly sum up the way life, or at least my life feels much of the time.

Stuffed Animals & Faces of God
The Heidelberg Project
Detroit, MI
December 2010

Stuffed animals were everywhere. Hanging out of abandoned and painted cars, piled high on a marooned boat titled Noah's Ark, and attached to trees and buildings.

Noah's Ark
The Heidelberg Project
Detroit, MI
December 2010

Stuffed Animals on House
The Heidelberg Project
Detroit, MI
December 2010

Stuffed Animals on Tree in front of Dotty Wotty House
The Heidelberg Project
Detroit, MI
December 2010

The Dotty Wotty House was inspired by Dr. Martin Luther King, Jr. who stated "We are all the same color on the inside." The polka dots which are the major unifying theme of The Heidelberg Project are a symbol for the celebration of diversity and universal harmony. This house is also where Guyton's grandfather, friend and mentor Sam Mackay lived, so it has additional significance and meaning for Guyton.

Polka Dot Oil Cans
The Heidelberg Project
Detroit, MI
December 2010

Polka Dot Globe
The Heidelberg Project
Detroit, MI
December 2010

Polka Dot Tires
The Heidelberg Project
Detroit, MI
December 2010

Polka Dot Tire Fence
The Heidelberg Project
Detroit, MI
December 2010

Polka Dots & Taxis
The Heidelberg Project
Detroit, MI
December 2010

Heidelberg Street is a magical place. Guyton together with volunteers, neighbourhood and school kids, has transformed one of the poorest and virtually abandoned neighbourhoods with discarded consumer products and objects creating a visual feast that causes the viewer to question the nature of art, the concept of community and how these are inextricably interlinked and interwoven.

Taxis on House
The Heidelberg Project
Detroit, MI
December 2010

Taxis on Tree
The Heidelberg Project
Detroit, MI
December 2010

Taxis on House
The Heidelberg Project
Detroit, MI
December 2010

Polka Dots and Taxis
The Heidelberg Project
Detroit, MI
December 2010

The Heidelberg Project
Detroit, MI
December 2010

The Heidelberg Project
Detroit, MI
December 2010

Discarded and obsolete objects take on new meanings when artfully and deliberately placed allowing imaginations to dream and grow.

Meet Me Half Way
The Heidelberg Project
Detroit, MI
December 2010

Or cause one to think about the ways we treat both people and objects and our reluctance to see or think about alternative viewpoints or ways of knowing.

Found Object Sculpture
The Heidelberg Project
Detroit, MI
December 2010

There is a part of me that has always delighted in the abstract beauty of found objects which took on added significance against the starkness of the snow.

Rusted Toy Trucks
The Heidelberg Project
Detroit, MI
December 2010

The Heidelberg Project
Detroit, MI
December 2010

The Heidelberg Project
Detroit, MI
December 2010

There was so much to look at, so much to absorb. I wondered how different it would all look in the spring or summer without the blanket of snow, set against green grass and with more people wondering around. As it was I found the entire experience beautiful in its haunting stillness. I kind of liked being alone with it, just as I loved the experience of visiting an art gallery when I had the entire space to myself.

The Heidelberg Project
Detroit, MI
December 2010

The God House
The Heidelberg Project
Detroit, MI
December 2010

The Heidelberg Project
Detroit, MI
December 2010

Door Sculpture
The Heidelberg Project
Detroit, MI
December 2010

While all of the work carried either overt or more cleverly hidden meanings or messages, a few installations communicated strong messages and commentary on societal problems and concerns. Beacon for Broken Health Care was one such work. Complete with a written statement, broken receptionist desk, hospital bed, crutches and supplies this work pointed out the need for preventative medicine and affordable and accessible primary care facilities for all.

Beacon for Broken Health Care
The Heidelberg Project
Detroit, MI
December 2010

Beacon for Broken Health Care
The Heidelberg Project
Detroit, MI
December 2010

A pink submersed Hummer reminds us of the societal and global problems associated with conspicuous consumption and the inequality of wealth and opportunity.

Ode to the Hummer
The Heidelberg Project
Detroit, MI
December 2010

Above all The Heidelberg Project is about hope. It is about believing in one's community and enacting change. Ongoing projects such as this Bottlecap Garden engage school and neighbourhood children in creating public art. Well developed educational materials, projects and teaching guides are available and public and private tours can be arranged.

Children's Bottle Cap Garden
The Heidelberg Project
Detroit, MI
December 2010

As stated on one of their educational downloads, "The Heidelberg Project is art, energy, and community!"

Polka Dot Girl in doorway of God House
The Heidelberg Project
Detroit, MI
December 2010

As I was reflecting back on our trip to New Orleans and our brief stop in Detroit, I read Murray Whtye's January 2, 2011 column in the Toronto Star Art's New Dawn in Detroit. That creative energy that I sensed simmering almost seven years ago is definitely there. Art is a powerful force for both political commentary and social change. I thought back to the abandoned house we saw burning as we drove towards the border, however, I still believe that the creative energy that Detroit harbors will help the city once again come alive.